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Juxtapoz Magazine presents “Inkblots & Feeling Charts”, which are both universal and deeply personal.

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We are always looking in the mirror. In this modern world, we are always looking in the mirror. Consider it. Social media, self-help, advice, therapy, feelings, relationships, family, and sharing sharing sharing sharing until we can’t seem to even find what it is that we originally were seeking, seems to be the definition of the times. We are constantly confronted with a condition that is either a lack of selfhood or an absence of it. There is something beautiful about the way that Timothy CurtisIn his first museum exhibition, he lets himself be vulnerable as well as a little critical. Feeling Charts and InkblotsCurrently, you can view the. Atlanta Contemporary

Curtis, using the marks and faces he used in graffiti, generates an understanding of his own imprisonment a decade ago. Curtis abandons a pretense of holding himself at arms’ length in these works, but is vividly naked here. You can see Curtis in the studio, working through these emotions and understanding himself as both an evolving artist and person. What are you bringing with you from the past? What do you feel at this moment? What can we all understand about feelings, individual desires and how to use them as a template? Curtis’s own growth since his cover story in JuxtapozThis is a person who is charting his path. And he has literally given us the blueprint of how he’s doing it. —Evan Pricco

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Original content by “Juxtapoz magazine – Timothy Curtis presents “Inkblots & Feeling Charts”, that are both universal and deeply personal”

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